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2024
Molly Greene: Pseudopodia (CRITICAL TEXT, HUXLEY-PARLOUR)
Sex Out of This World: Science Fiction, Fantasy and the Erotic at Project Native Informant (ELEPHANT)
Trophy Lives: Philippa Snow and Ruby Dickson Make an Art of Celebrity Culture (ELEPHANT)
Exteriors: An Ode to Annie Ernaux and the Everyday Encounter (ELEPHANT)
Can Depictions of Women in States of Submission Ever Be Considered Liberating? On Joanna Woś (ELEPHANT)
Anna Woodward, Toxic Traits, Frestonian Gallery (PRESS RELEASE)
How Jan Gatewood Questions Human Empathy Through the Animal Figure (ELEPHANT)
Writing for Wellness: The Compost Library (SERVICE 95)
2023
How Bingen TV at Mimosa House Explores the Art Gallery as a Garden (ELEPHANT)
Sara Sadik: Together In Electric Dreams (FRIEZE WEEK LONDON 2023)
Niklas Asker, Other Artefacts, Union Pacific (PRESS RELEASE)
Body Language: Leon Scott-Engel at Pipeline (EMERGENT)
The Fandom and Fantasy of Elizabeth Peyton (FRIEZE, ISSUE 238)
Psychedelic Tapestries And Organic Music – Inside The Moki Cherry Retrospective (SERVICE 95)
Philippa Snow and the Self-Injury of Marina Abramovic (INTRA VENUS, ISSUE 01)
Art, Emerging from the Ashes (INTRA VENUS, ISSUE 01)
Internet Excreta (INTRA VENUS, ISSUE 01)
The Main Course: Magali Reus (EMERGENT)
Justin Chance, Interview (EMERGENT, ISSUE 09)
The Shape of Sound: Christine Sun Kim (SERVICE 95)
Grace Ndiritu Heals the Museum (FRIEZE, ISSUE 236)
Art as Gut Reaction (EMERGENT)
2022
Louise Giovanelli’s Sacred Moments (FRIEZE, ISSUE 231)
Penny Goring’s Art of Survival (FRIEZE, ISSUE 230)